I'm all for clarity...
Yes, normally the 1 button on its own works well, but there are times when the plick looks a lot like what's in the fade, it's surprising just how similar they can be when the plick is eye-poking (to me). Personally, I find it difficult to co-ordinate the noise with the position of the cursor while its moving, I'm not sure if the cursor is a little laggy or if I am

But, overall, the effect is the same and by the time I'm zoomed in to the extent a repair is possible there's quite a lot to look at to find the plick.
There are other occasions noise is in a much more dynamic part of a track where, despite being comparatively small, I can
still hear it, then, it's **really** difficult to spot and I find this technique is the only thing that works for me.
If the markers were made an option and had to be switched on, the meaning would be clear (I hope).
I should add that, normally, I de-click on level 2 with percussion at max and brass on. But I do 4 passes, pass 4 sometimes gets nothing, but mostly there are another half dozen of so clicks repaired.
Almost always I get enough click repair like that and I'm left with a bit of manual cleaning at track starts and ends. Occasionally I have to change a percussion protection to a repair, but that's really quite rare. Also, sometimes the automatic repairs leave leading or trailing edges un-repaired changing a click to more of a splunk, but they're easy to spot and manually widen.
The other thing I do now is to do the declick and de-noise
first, then go back and position tracks. I found it made positioning track start and end simpler...
On average I take around 15 minutes per LP including waiting for the 4 click passes, and the end result is noise free on speakers and virtually silent at normal headphone listening levels. Really, I'm a very happy bunny.